What Noisy Cats & Bikini Roulette at Mighty Mighty

It’s not often that a band’s first public gig is so anticipated, but not every band contains Matt Pender. So, were Bikini Roulette going to be a Beady Eyes or a Zwan?

What Noisy Cats played their complex, mournful soundscapes until Mighty Mighty filled up, and an interesting crowd it was, too – hardcore OdESSA fans at the front and hipsters at the back, along with several ex-members of OdESSA and their former manager. The hipster tide receeded at this particular venue some years ago, and I was spectacularly unimpressed with the rudeness of the bar manager, considering the place wasn’t exactly heaving when I tried to order a drink.

Anyway, by the time WNC finished with a rousing cover of ‘Suffragette City’, the place was packed. The initial impression of Bikini Roulette was Shihad playing Oak Park Avenue, which is no bad thing. Pender’s considerable singing and dancing abilities are undiminished, although there’s a new focus on the muscular guitar solos of Adrian Win, who manipulates his instrument like Willy Wonka with a big ladle stirring up a batch of sound chocolate. Admittedly I left to take a whizz during the sole slow number, but the acoustics of Mighty Mighty means that bands often sound better in the can.

I hope this works out for everyone, goodness knows what happens to new bands in the current musical climate. Hopefully they’ll record something as soon as possible (they have about half an hour of original material right now) and we can continue to savour it for years to come.

Amanda Palmer in Civic Square

That was lots of fun. Crowd-surfing with a ukulele, and the hilarious gothic accordion gurning of ‘Evelyn Evelyn‘ partner Jason Webley (pictured at top). There was a bit of a wobbly start, with Palmer having to consult a fan for the lyrics of Cuba St-plugging song ‘New Zealand’, and her cracked voice faced serious competition from an adjacent Webstock party in the Town Hall, and the tiny minority of AFP’s obsessive fans who try to get her attention by shouting at her during her performance and will not shut up.

This is why I’ve never wanted to attend one of her concerts, I don’t fancy being in an enclosed space with these damaged narcissists who are in thrall to their own numerous personal problems and don’t know how to behave in public.

‘Horse Outside’ by The Rubberbandits

I hope you find this as strangely compelling as I do, from the extras trying not to crack up at the Rubberbandits’ pasty-white Thriller dancing, to the models wearing horse’s heads. Apparently it’s #2 on the Irish charts. New Zealand could do cheap yet hilarious stuff like this, if we didn’t take ourselves so seriously.

Contracts and research

I’ve signed off on the contract for the Auckland performance of FB:L4G. It guarantees me some interesting rights, including merchandising (!) and the size of my name on the publicity material. I also grabbed a copy of the 2007 issue of Playmarket News which has several photos from the Wellington production, including the mischievous insertion of a photo of Enderby the hedgehog holding a ‘SPREAD THE PINK’ sign (which is presently in my bedroom) in an article on theatre controversy.

I’ve also been researching the upcoming Super City elections. Funnily enough, the consolidation of the Auckland Regional Council, the four city councils and the three district councils is no longer being promoted as a way of saving Auckland ratepayers money. If I were a well-placed, wealthy local body politician with a high public profile and a ruthless streak, I’d be finding it very hard to keep the look of utter glee off my face until November.

Lord Mayor soundtrack:
Paul’s Boutique ~Beastie Boys
Diamonds and Pearls ~Prince
Glitter and Doom Live ~Tom Waits

Genesis. Yes, really.

Shamefully, I’ve been listening to a lot of Genesis recently. Not the millions-selling, critically reviled Phil Collins era, the early prog stuff. I can only offer this in defence:

• It’s an extremely handsome box set, and I’m a sucker for packaging.

• I don’t mind Progressive Rock. I found out ages ago that if I can listen to Frank Zappa, I can stomach almost anything.

• Seriously, a double-disc concept album about a street kid on a transcendental search for his soul? From a band comprised of Charterhouse schoolboys? With song titles like ‘Here Comes The Supernatural Anaesthetist’? Puts My Chemical Romance into perspective, doesn’t it?

• Actually, as I listen to Selling England by the Pound, it reminds me of early Split Enz, when Phil Judd and Tim Finn were still in charge.

• I like Peter Gabriel (but that’s another story).

Jarvis Cocker & The Phoenix Foundation

If you ever wondered what happened to Generation X, we were at the Town Hall tonight watching a 46-year old Brit contort himself into unnatural poses. How’s this for self-confidence – instead of playing his old Pulp hits, he stuck to his two solo albums. He could’ve pulled out “Common People” at any point, but no! He could’ve hit us with “Mis-Shapes”, “Help the Aged”, “Disco 2000”, “Do You Remember the First Time” or “This is Hardcore”. Go ahead, Jarvis, it’s okay – Pulp bassist Steve Mackey is in your backing band! He could’ve aired the songs he wrote for Harry Potter & the Goblet of Fire. Or “Running the World” from Children of Men, with the best chorus ever. But no! And yet, the show was fantastic, despite the appalling sound.

I felt sorry for The Phoenix Foundation, playing some great songs to a largely disinterested thirty-something audience. Even their excellent single “40 Years” didn’t raise much response. Peter pointed out that when you have seven band members playing at once there aren’t many gaps in the wall of sound they produce, and for such a popular band their stage presence was dire. It looked like a grim job, and the banter between Sam Scott and Luke Buda (looking like hairy portly Lennon-McCartneys) was barbed with their lack of enthusiasm.

Cocker, by comparison, barely stood still the entire time he was on stage. Still impossibly thin (especially compared to Scott and Buda) he treated us to his entire gamut of sighs, microphone play, wiggles and yelps. Even though the songs he performed weren’t his strongest material, it was still awesome.

I recognized lots of people. Often this wasn’t a good thing – specifically, the aloof ex who hasn’t spoken to me in seven years and the imaginary purple water buffalo, strutting around like the fat, grinning cnut he is. I was also distracted by the antics of some of my friends in their early twenties who were either extremely happy or on some very good drugs. There may have been a stage invasion. There may have been biting.

Earlier in the day Capital Times interviewed me about the Jitterati book. There’s no better way to spend lunchtime than talking about yourself while an attractive journalist asks intelligent questions.

The energy drink for when you feel like paying double for nothing much at all

The latest imported energy drink available at Chaffer’s Park New World is Emerge. Imported from the UK, this little tube which proudly proclaims its price to be “35p” on the can has somehow been inflated from NZ$0.80 to $1.69 on its long journey, but that’s okay, because we’re used to paying double for imported goods, aren’t we?

Waaaait… this isn’t the Seventies anymore! Someone’s ripping us off!

…Wait, everyone’s ripping us off!

That makes it okay, then. Everyone back to chewing grass.

Anyway, Emerge has nothing to distinguish it from several other energy drinks. Just another yellow fizz that tastes like battery acid.

I was thinking about energy drinks again because a few days ago I walked past a ten year-old kid in Kelburn greedily slurping Red Bull from one of the large 355ml cans, which contains as much caffeine as 1.5 espressos. Although it says ‘Not suitable for children’ on the can, there’s nothing to legally prevent them from being sold to kids. Dairies can be bloody irresponsible, can’t they?

Yesterday I saw another kid in town drinking a Mother energy drink (another 1.5 espressos) who was about eleven. This is the problem when something is advertised as being ultra-masculine and giving you instant power*. What little boy wouldn’t find that irresistible?

Manly Soundtrack:
Mister Pop ~The Clean
Metropolis: The Chase Suite EP ~Janelle Monae
Love Symbol Album ~Prince

*”By the power of Grayskull, I have the power!” I never actually watched this show as a kid, it’s something else, like rugby, that I completely missed out on growing up. Despite appearances, I’m the straightest guy I know.

Exhausted but all systems go

The book is at the printers. I’m working on the cover picture and DVD now. The printer berated me for setting up the pages so that they came out mis-aligned on the proof, so he’d have to adjust them by hand. It wasn’t until I got home that I realized he’d printed it using the wrong paper stock setting, so ’twas not my fault.

Sadly I’ve found from experience that the only thing that will let you down when you’ve had a creative idea that requires a bit of effort is relying on OTHER PEOPLE. This is why successful people are either very self-reliant, or fantastically good at organizing and inspiring other people.

It was looking unlikely that I’d have free coffee for the launch, but Geoff from Havana has come through wonderfully… I’ll have 30 specially-bagged samples for consumption on Saturday.

Book Construction Soundtrack:
In Swings the Tide ~Anika Moa
Weird Tales of the Ramones ~Ramones
See Mystery Lights ~Yacht

Halloween party

Another excellent flat party. It was more talky than dancy until someone stopped messing with the volume control on the stereo. For some reason there was a prodigious amount of wine and women in their mid-twenties, but I am not complaining. It didn’t finish until 3:30am. No-one threw up, broke windows, puked on the neighbour’s cat, started a fistfight, or decided that the “least drunk” should drive, so it wasn’t a party for the newspapers.

Decidedly Non-Party Soundtrack:
Psonic Psunspot ~The Dukes of Stratosphear
Permanent ~Joy Division
The Gorey End ~The Tiger Lillies & Kronos Quartet

More new wallpaper

There’s several Man Ray photos here, but I’m more interested in Lee Miller than Man Ray.

I’m resigned to the improvements announced by Apple to their iMac range. I can live without that extra 1.5 inches of screen – it’s not like a TV, where they can can get larger and larger and the only limit is the size of your wall. I’m also happy about not having a wireless keyboard, because my one is the longer version with a useful number keypad. The new mouse sounds interesting, though. The most obvious visual refinement of the model, the fact that the thin black border around the iMac screen now goes right to the edge, is of spectacular disinterest to me. The extra zip in processing power would be nice, of course, but until NZ gets decent affordable broadband there’s not that much point – it’s like driving a Maserati on a dirt track.

Sanguinity Soundtrack:
Chant Darling ~Lawrence Arabia
The Very Best of Buddy Holly & The Crickets
The Magic City ~Sun Ra